When Adriano Esteves from Bürocratik approached us a at gig saying “you guys want a website”, we responded “Sure! But what’s a website?” Now we know! Don’t forget to visit moonspell.com and all our other internet channels and subscribe our news to stay in touch and get our needs. Have a nice weekend, stay safe.
Moonspell @InstagramI like to believe there’s a shared journey between Moonspell and Büro. The most significant parallel is that both chose to become what they are. They formed a band before becoming musicians, and I was always looking for something that would let me do design, which eventually led to Büro, originally called Musicdrops, a name crafted for forging design drops for music. Both driven by stoicism, and still standing.
Moonspell has faced its fair share of critics. I even helped put out a few of those fires, especially back in the early days online. But the truth is, they’ve earned everything they’ve achieved. Their struggle was fought in the trenches of vans and hunger, the kind of hurt that shapes you. It was their choice, yes, but that path forged an early maturity—always visible, and now, with the weight of years, more than ever. It's a pleasure to see daily learning in people who learned everything while swimming among crocodiles. Well done, wolf friends
18 years in as a company, just wow. It felt like the right moment to pause and reflect, for the first time, on our journey through design craft.
Every milestone, win or challenge, was shaped by the incredible people we met along the way. Together, we’ve navigated the shifting tides of digital branding with transparency, grit, and an unyielding drive for excellence, growing from a small studio in Portugal into one that remains intentionally small but fearless and mighty.
To everyone who carried the Büro black flag, whether for a brief chapter or a long one, thank you.
This is just a glimpse of how we got here, wherever here may be. Want to know more? The Büro18 Book will tell the full story, available after the last chapter goes online.
This is Bürocratik—18 years in the making.
By January 2004, I was on my own, with a name serious enough to command respect but without needing a suit. Ironically, not needing a suit was one of my life goals. That’s why the first Bürocratik logo was a sliced tie, still stuck on Coimbra’s office door.
Five years of learning how not to do it led me to a one-year self-ultimatum: quality-first design, laser-focused, no mercy. From there, every waking second was dedicated to making design my life plan, no regrets if it failed.
Starting with no plan, we hijacked Cavaco’s parents’ garage [Büro(-1)] for a few months. No internet, so we’d rush to his room twice a day to check emails while cranking out logos. Two computers, a Mac and a PC—two lost souls in a fishbowl.
The Bürocratik name took shape at my soon-to-be former job. As I gathered the essentials for starting my own company, I created a new favorites folder in Firefox’s bookmarks and, with a few immediate tweaks, it went from Bureaucracy to Bürocratik.
It felt oddly wrong and strangely official, serious yet offbeat. If a name makes you think twice, it’s worth keeping, right? Why the hell not. Always treasure the first ideas.
In hindsight, it’s a fortunate twist. Bureau means desk or office, while -cratie comes from the Greek kratos, meaning power or rule. So, it literally translates to “rule by the office” or “desk power.” For brands looking to shake things up, that feels more than appropriate.
Filipe Cavaco & Adriano Esteves
It took me a decade to fully commit to design as my life’s work, and the Barcelona Forum ’04 marked the pivotal moment for what became Büro. That event planted the seed, by then, we had a name and a clear purpose ahead.
Letterhead and Logo 9 by Rockport
We submitted several brands under Bürocratik to the Rockport Logos & Letterheads 9 book. Two were accepted. On the final submission day, we hand-delivered the envelope to DHL, ensuring it arrived on time.
Bürocratik appeared in a design book alongside Pentagram (not the doom metal band now famous for the staring eyes meme) and Landor. A solid first step, why not aim higher?
Soon, we moved into Büro(0), our first official space: a snug 5x5m space near the university on Rua da Manutenção Militar. It was just a pair of computers, tables and chairs, an OKI laser printer (still our favorite for its unmatched color), a Buffalo RAID drive, and that was it.
Adriano at Büro(0)
That will be me, still just a designer before the whole founder and creative director thing, proudly wearing my Media Temple shirt. Back when they were the go-to hosting company for the best websites around, their legendary service powered many top Flash sites of that golden era. And for me, it was all about Type, Type, Type.
2004—today
Cavaco at Büro(0)
With a passion for design, people, and connections—a muscle I once swore I’d never flex (younger me thought it was all about design, not people… yeah, right). Our first big investment? A lime green Fatboy puff. One stormy night in Matosinhos, the wind had other plans. Gone, but never forgotten.
2004—2006
Alexandre R. Gomes at Büro(0)
Meet Alex, my Chem. Eng. course mate who shared a passion for music and design. After years of working together in Coimbra and later remotely between the Netherlands and Germany, our developer finally spent a few days coding back in Coimbra.
This was when we fully embraced websites as our core offering, marking the start of our commitment to “Digital Branding” as the heart of our work.
2004—2016
António Lourenço
One day, Cavaco noted that none of us could draw for shit and mentioned a friend, stuck waiting for a job at a southern city hall, who actually could. Enter António Lourenço (Tó). He started as our illustrator, then moved on to Flash animation, then After Effects, and he’s still with us today.
2005—today
After a year and a half of weighing our options, it was decision time—commit or bail. Cavaco pivoted to his family’s insurance business, while I took the leap, officially founding the company and diving headfirst into accidental entrepreneurship.
Our new chapter began in Guerra Junqueiro, thanks to our clients at CH Consulting, who gave us that final nudge to formalize the business. They welcomed us into our first-ever office: a small, windowless space packed with heat, metal fans (both kinds), a vertical logo on the wall (tight space, tighter budget), and an unreasonable amount of passion.
Margarida Reis was special right from the first instants.
Our first intern was a sharp-witted artist with a kind heart, a dark sense of humor, Björk energy, and a flair for Tim Burton’s whimsical world. For four years, Margarida was our heart and soul, until tragedy struck, and we lost her in a traffic accident.
RIP, Margarida.
2006—2010†
Paulo Brandão the baseball player designer.
When Cavaco stepped away, we welcomed Paulo as our first web designer, a talented friend and former co-worker from previous ventures. After contributing significantly to our early journey, Paulo eventually relocated to vigo, Spain, where he embarked on a new chapter as a photographer.
2006—2011
Small opportunities often lead to remarkable ventures. Unilever became our biggest client in those early years, providing financial support and exposure to top-tier brands, shaping our international journey and reaffirming our focus on crafting brand assets and websites, not the tools to manage them.
Over seven years of collaboration, we built and supported several business-area Brand Hubs: DiGpedia for laundry brands, Deopedia for deodorants, and Cleanipedia for cleaning products. Working with global design consultancies like Elmwood confirmed that websites for brands were our true passion, something we already knew, but now had the freedom to fully embrace. We were on our way.
These photos are from our very first team photo session. Have you seen the Halls army? Those belong to Alex, by the way.
Ana Camacho, a friend of Margarida was our second intership.
Originally from Madeira, Ana joined us as a multimedia designer and later transitioned into development under Alex’s guidance. Her journey with us spanned for 8 years.
2006—2015
Moonspell Memorial CDROM
Memorial was the last full layout we did for Moonspell, featuring artwork by Wojtek Błasiak, a regular collaborator since 2001’s Darkness & Hope, one of my personal favorites alongside The Antidote. The blood-red layout was a victory, thanks to a CMYK color correction odyssey where I knew exactly what curve to adjust to remove the murkiness, and it marked the final project we completed at Büro(1).
After 3 years on Guerra Junqueiro, CH Group makes a new headquarters and we finally got ourselves some windows by moving to where we still have our Coimbra office today. The new spot thrusted our confidence and we managed to convince Alex to return to Portugal so we could focus more on the process and delivery. A few months later we snatched a developer from a small studio in Northern Portugal, Bruno Amorim had more insightful opinions than most and was genuinely excited about everything we were doing. His enthusiasm was real and infectious, and he quickly became a critical link in refining our design approach even without being part of the team.
We tackled a few projects together, and thankfully for Büro, his own project, Blak, couldn’t weather the full circle to profitability—a fate many design studios face. Bruno joined us in Coimbra, initially as developer but soon diving into web design.
CHC — Centro Hospital de Coimbra EPE Rebranding
Around 2009, we won our first big rebranding project: the rebranding of CHC (Centro Hospital de Coimbra EPE) one of the biggest Hospital clusters of the country. The project spanned over a year and included rebranding stationery, countless forms, hospital signage, and a comprehensive identity guidelines.
Triin Mänd
Our first international intern was a very kind and witty Estonian student called Triin who fell in love with Portugal after hitchhiking across Europe.
2010
Filipe Moço
Our first print-exclusive designer, stepping in for the more demanding branding projects ahead. Today dedicates his craft entirely to wine packaging design—cheers to that!
2010—2011
Bruno Amorim joins Büro
Bruno joined us in Coimbra as a developer but quickly transitioned into web design, delivering work with unparalleled quality. The synergy and resilience marked the true official inception of the Büro on drugs era, no doubt about it.
2011—today
Alex returns to Coimbra
After years of shared projects and remote collaboration between the Netherlands and Germany, Alex—the wandering Chemical Engineer—returned to Coimbra as our official Lead Developer. With him on board, sitting next to us, we could now build better websites and take branding further into the digital realm.
Are we there yet? Hell no. The first five years of running a design company were profoundly humbling. I quickly learned that a passion for good design wasn’t enough to sustain a business. For two years, I forwent my own salary to ensure the team was paid. Securing clients without relying on personal networks, maintaining quality, managing finances, keeping payments on schedule, balancing accounting, overseeing projects, and dealing with client fluctuations, these challenges had little to do with design but were essential to achieving great work. Mastering this balancing act gave us valuable insight into the full cycle of selling design, helping us finally find the right path forward.
Some team members struggled with the vision; some felt we were giving too much, while others couldn’t see their role in the bigger picture. Büroweekend#1 became the turning point for much-needed alignment, a moment when the real journey began, without excuses or half-measures. From that point on, the motto was clear: keep going, keep going, do always your best, just keep going and don’t forget to have fun. Persistence will collide with opportunity, and hopefully, our moment will arrive.
Megan Lobb joins as intern
A design graduate from University College Falmouth who relocated from the Algarve to Coimbra for an 7-month internship.
2011—2012
Lisa Penedo
Our next internship was with Lisa, a graphic designer specializing in editorial design with a soft spot for typography (notice a pattern here?).
2012—2013